Daniele Barbaro and the University of Padova: Architecture, Art and Science on the Occasion of the 450th Anniversary of His Death

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This book, edited by Kim Williams and Cosimo Monteleone, follows the publication of two other books dedicated to Daniele Barbaro and published by Springer: Daniele Barbaro's Vitruvius of 1567 (Kim Williams, 2019) and Daniele Barbaro's Perspective of 1568 (Kim Williams and Cosimo Monteleone, 2021). Therefore, it can be considered another installment in a series that has deepened the scientific treatises published by Daniele Barbaro.

Due to the numerous scientific interests that Barbaro matured in the years he spent at the University of Padua, we have invited experts in these topics to discuss Barbaro in relation to his training. In particular, the book opens with the essays of the two editors to frame its general theme in relation to mathematics. Cosimo Monteleone addressed the relationship between Barbaro's perspective theory with Euclid's optics, the Aristotelian process of knowledge and the ophthalmological discoveries of the University of Padova in the Renaissance. Kim Williams underlines how Barbaro's arithmetic and geometry established `the most certain sciences' and set the base of the `primary sciences'. A series of essays concerning Barbaro's training at the University of Padua complete the theoretical framework analyzed by the two editors. These studies embrace the following subjects: mathematical instruments (Filippo Camerota), astronomy and sundials (Cristiano Guarneri), mathematics, geometry and polyhedral (Vera Viana), perspective and anamorphosis (Agostino De Rosa), botany and the foundation of the botanical garden (Stefano Zaggia), Vitruvius' architecture (Ekaterina Igoshina, Ilya Anikyev, Anna Markova) and Aristotelianism (Branko Mitrović). A foreword by Xavier Salomon sets the stage for this book, outlining the innovations that Barbaro brought to scientific knowledge.

Barbaro's scientific efforts are sometimes dismissed in recent studies as a compilation of known principles. The aim of this present book is to reveal the truly innovative nature of Barbaro's experiments and results and restore him to his rightful place as an original scholar of Renaissance.

Author(s): Cosimo Monteleone, Kim Williams
Series: Trends in the History of Science
Publisher: Birkhäuser
Year: 2023

Language: English
Pages: 224
City: Basel

Foreword
References
Editor´s Notes
References
Contents
Contributors
Daniele Barbaro and the `Philosophy´ of Perspective
1 Introduction
2 Theories of Vision
3 Barbaro´s Theory of Vision
4 The Certitude of Mathematics
5 The Certitude of Perspective
6 Religion and Mathematical Order
7 Conclusions
References
Daniele Barbaro and the Science of Mathematics
1 Introduction
2 Barbaro´s Esteem for Mathematics
3 Brevity, Simplicity and their Consequences
4 The Problem of the Tablinum of a Private House
5 The Problem of the Foreshortening of a Square
6 The Problem of the Hodometer
7 Conclusion
References
Daniele Barbaro and Mathematical Instruments
1 Introduction
2 The Instruments in Barbaro´s Treatise
2.1 `The Author´s Instrument for Making Clocks in Every Climate, on Every Plane and for Every Sort of Hour´
2.2 `Albrecht Dürer´s Instrument for Making Perspectives´
2.3 `Building another Instrument by Baldassarre Lanci´
2.4 `Natural Manners of Rendering Things in Perspective´: The camera obscura
2.5 `Natural Manners of Rendering Things in Perspective´: The Gnomon
2.6 `Natural Manners of Rendering Things in Perspective´: The Graduated Semicircle
2.7 `The invention of Giacomo Castriotto´
3 Conclusion
References
Daniele Barbaro and the Foundation of the Botanical Garden for the University of Padua
1 Introduction
2 Background
3 The Chronology of the Construction Site and Barbaro´s Involvement
4 What Remains of a `Beautiful Model´
5 Conclusion
References
From Theory to Practice: Daniele Barbaro´s Investigations on Timekeeping and the Villa in Maser
1 Introduction
2 Daniele Barbaro at the University of Padua
3 Theory: The Design of the Sundial on a Declining Wall
4 Practice: The Sundials of Villa Barbaro in Maser
5 Conclusion
References
Non-Uniform Polyhedra Described by Daniele Barbaro
1 Introduction
2 Chapter XVI: The Rectified Truncated Octahedron (Fig. 1)
3 Chapter XVIII: The Rectified Truncated Icosahedron
4 Chapter XIX: Truncated Pentakis Dodecahedron (Fig. 8)
5 Chapter XX: Twice-Truncated Icosahedron (Fig. 10)
6 Chapter XXII: Twice-Truncated Octahedron (Fig. 13)
7 Chapter XXIII: Augmented Icosidodecahedron and Chapter XXIV: Augmented Rhombitruncated Cuboctahedron (Figs. 15 and 16)
8 Chapter XXV: Truncated Rectified Truncated Octahedron (Fig. 19)
9 Chapters XXVI-XXXIII: Concave Deltahedra
10 Chapter XXXIV: Other Solid Bodies
11 Conclusion
References
Perspettiva ridotta a perfezione: Glimpses of Daniele Barbaro´s Perspective Theory
1 Introduction
2 Anamorphosis
3 Shadows
4 Instruments
5 Conclusion
References
Marginal Notes by Daniele Barbaro in the 1511 Edition of Vitruvius from the Pushkin State Museum of Fine Arts Collection: Attr...
1 Introduction
2 The Moscow Exemplar
3 Comparison with Other Exemplars
4 Analysis of the Moscow Exemplar
5 Identification of the Author of the Marginalia
6 Conclusion
References
Paduan Aristotelianism and Daniele Barbaro´s Commentary on Vitruvius
1 Introduction
2 Proportion and eurythmia
3 The Theory of Meaning
4 Tectonic Argumentation in Barbaro and Palladio
5 Proportions and the Classical Orders
6 Psychology
7 Conclusion
References