Author(s): Nigel Copsey and John E. Richardson
Series: Routledge Studies in Fascism and the Far Right
Publisher: Routledge
Year: 2015
Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of figures
List of contributors
Introduction
1. Cultural regeneration: Mosley and the Union Movement
Introduction
Re-ordering the nation
Manhood
Youth
Women
Anti-urbanism
Arts and culture
Conclusion
References
2. History and cultural heritage: the far right and the
‘Battle for Britain’
Introduction
The 'right’ kind of history
Defying history: the role of anti-determinist ideas
The rebirth of the West?
History as design: the role of ‘conspiracy’
History as biology: the role of 'race'
History as ‘culture’: constructing an alternative past
History as heroism: restoring the ‘heroic’ past
Conclusion: the continuing relevance of ‘history’ for the extreme right
Notes
References
3. Cultures of space: spatialising the National Front
Introduction
Defining space
Spatialising social and political movements
Spatialising the National Front
National Front processions
The National Front’s Remembrance Day procession
Spatialising the racial politics of the National Front
Conclusion: spatial constraints
Notes
References
4. Securing the future of our race: women in the culture of the
modern-day BNP
Introduction
Locating the place of women
Women, the BNP and Islam
Mainstreaming the ‘family-friendly’ BNP
Notes
References
5. British neo-Nazi fiction: Colin Jordan’s Merrie England – 2000 and The Uprising
Introduction
A brief history of Colin Jordan
Neo-Nazi cultural production: licensing hatred and promoting purification
Conclusion
Notes
References
6. When popular culture met the far right: cultural encounters
with post-war British fascism
Introduction
'Not the sort of book you want to buy your old granny’
British fascism on the stage
Representations on little and big screens
Notes
References
7. Subcultural style: fashion and Britain’s extreme right
Introduction
Continental comparisons: Germany
This is England
Generation Identity, the Immortals and a conclusion
Notes
References
8. British, European and white: cultural constructions of identity
in post-war British fascist music
Introduction
The National Front and and ‘White Noise’
Blood and Honour: beyond the nation
Great White, Great Britain
Conclusion
Notes
References
9. Nazi punks folk off: leisure, nationalism, cultural identity
and the consumption of metal and folk music
Introduction
Theories of leisure and whiteness
Methods
Black metal – previous and new research
English folk music – new research on fRoots magazine
Conclusion
Note
References
10. The ‘cultic milieu’ of Britain’s
‘New Right’: meta-political ‘fascism’ in contemporary Britain
Introduction
Developing the ‘New Right’
Ideological forms
The place of Holocaust denial and ‘anti-Zionism’
Conclusion: ‘New Right’ and Nouvelle Droite
Notes
References
11. 'Cultural Marxism’ and the British National Party: a
transnational discourse
Introduction
US origins
Anders Behring Breivik
The British National Party’s cultural project
The British National Party and ‘Cultural Marxism’
Conclusion
Notes
References
Index