Cultural Studies is an international journal committed to exploring the relationships between cultural practices and everyday life, economic relations, the material world, the State, and historical forces and contexts.
Author(s): L. Grossberg
Edition: 1
Year: 1995
Language: English
Pages: 252
BOOK COVER......Page 1
TITLE......Page 2
COPYRIGHT......Page 3
CONTENTS......Page 6
INTRODUCTION......Page 8
FIRST PEOPLES......Page 10
References......Page 18
THE COLONIAL PAINTINGS OF CHARLES FREDERICK GOLDIE IN THE 1990S: THE POSTCOLONIAL GOLDIE AND THE REWRITING OF HISTORY......Page 38
The GOLDIE phenomenon......Page 40
The museum display......Page 41
Complications......Page 46
Unreliable categories......Page 49
Notes......Page 50
References......Page 51
Introduction......Page 54
Land alienation......Page 55
The post-war era......Page 61
Conclusion......Page 66
Notes......Page 68
References......Page 69
Introduction......Page 72
The Maori renaissance as a new social movement......Page 74
Ngai Tahu tribal democracy......Page 77
Conclusion......Page 82
References......Page 83
BORDER ZONES: THE ‘INJUN-UITY’ OF AESTHETIC TRICKS......Page 86
LEGAL DEFINITIONS: CANADA AND THE USA......Page 88
SOME CULTURAL (SELF-IMPOSED) DEFINITIONS......Page 89
Areas of ‘in-between-ness’......Page 91
BORDER ZONES AND LIMINAL SPACES......Page 92
The ethics of identity......Page 98
Notes......Page 100
References......Page 101
TRANSLATION OR PERVERSION : SHOWING FIRST NATIONS ART IN CANADA......Page 104
Notes......Page 116
References......Page 117
THE EMERGENCE OF POSTCOLONIAL MUSICAL EXPRESSIONS OF ABORIGINAL PEOPLES WITHIN CANADA......Page 118
THE EMERGENCE OF POSTCOLONIAL MUSICAL EXPRESSIONS OF ABORIGINAL PEOPLES WITHIN CANADA......Page 119
European religious music......Page 121
Fiddle music......Page 122
Country music......Page 126
Recent developments in Canadian aboriginal musics......Page 128
Conclusions......Page 131
Notes......Page 133
References......Page 134
Introduction......Page 136
Aboriginal people in Canada......Page 137
The people of Kitsumkalum and colonization......Page 139
Decolonization: the Kitsumkalum cultural project......Page 142
The potlatch as an instrument of knowledge......Page 144
HOMOGENIZING KNOWLEDGE......Page 145
DISPOSITIONS AND COMPETENCIES......Page 146
PRACTICAL LOGIC......Page 147
What is to be done?......Page 148
Question of interests......Page 149
Conclusion......Page 150
Notes......Page 151
References......Page 153
A POSTCOLONIAL EXPERIENCE OF ABORIGINAL IDENTITY......Page 156
References......Page 160
‘TALKING OUT OF PLACE’: AUTHORIZING THE ABORIGINAL SACRED IN POSTCOLONIAL AUSTRALIA......Page 162
Anthropology and the sacred......Page 163
Sacredness, sympathy and secrecy......Page 166
Performing the sacred......Page 168
References......Page 171
BROACHING FICTION: A SHORT THEORETICAL APPRECIATION OF WILLIAM FERGUSON’S NANYA......Page 172
References......Page 178
Introduction......Page 180
Indigenous media development 1970–94......Page 181
Electronic media and indigenous cultural expression......Page 182
Indigenous initiative versus inadequate government policies......Page 185
Culture, technology and economic rationalism......Page 188
The policy and funding vacuum......Page 190
Consultation: the missing factor......Page 194
The Broadcasting for Remote Aboriginal Communities Scheme......Page 196
Future directions......Page 198
References......Page 199
REVIEWS......Page 202
AFTER MABO......Page 204
Notes on the contributors......Page 210
Books Received from Publishers Spring 1994 (through 1 July 1994)......Page 212
Other journals in the field of cultural studies......Page 216
