The 28th Annual Conference of the Center for Medieval and Renaissance Studies, held on 21-22 October 1994 at Binghamton University, featured 33 panel sessions and approximately 150 presentations. The ten essays in this volume consist of the five plenary speakers - leaders in their field - and five panel essays, each of which was reviewed for this volume. The volume comprises a body of work organised around a governing theme - modes of historicisation. Each of the essays demonstrates the practice of or a commentary upon a distinctive historicised criticism. By 'historicised' as contrasted with 'historical' criticism, it is meant that these essays problematicise, stretch or reconceive traditional historical practices. Challenging the notion that the production of paintings, dramatic texts or even conduct books can be read against a stable historical ground, they show that paintings, works of literature, and treatises not only participate in history but are exemplars of textual instability. The very content of these texts can be shown, in various editions, to change over time - and yet each bears a single, determinate title. In such ways the contributions gathered here all show that they have been affected by 'the new history'.
Author(s): Albert H. Tricomi (ed.)
Series: Binghamton Medieval and Early Modern Studies, 1
Publisher: Center for Medieval and Early Renaissance Studies
Year: 1998
Language: English
Pages: 240
City: Binghamton
Introduction: Trends in Historicizing Early Modern Literature, History, and the Visual Arts / ALBERT H. TRICOMI 1
PART ONE. Literature and History as Critical Practices
Writing the History of the Present: Contextualizing Early Modem Literature / JEAN E. HOWARD 21
Mapping Theory in History: Conceptual Cites and Social Sites in the French Monarchie State / SARAH HANLEY 41
Dueling and Civility in Sixteenth-Century ltaly / DAVID QUINT 67
The Place of Vives's 'Instruction of a Christen Woman' in Early Modern English Domestic Book Literature / MARGARET MIKESELL 105
PART TWO. Rehistoricizing Through the Visual Arts
Motivating History / KEITH MOXEY 119
Tainted Image/Sacred Image: The Wandering Madonna of S. Maria in Vallicella / LAURA MACCASKEY 141
Viewing Foucault Viewing Velásquez's 'Las Meniñas' / JAMES BYRNES 157
PART THREE. New Historicism and Representation Form and Pressure: Shakespearean Drama and the Elizabethan State / LOUIS MONTROSE 171
Embodying Origins: An Anatomy of a Yeoman's Daughter, Spenser's Argante, and Elizabeth I / DAVID KINAHAN 203
Reading History, Reading Power, Reading Plays: Graham Holderness on Shakespeare's History Plays / WILLIAM O. SCOTT 221