Concept TV: An Aesthetics of Television Series

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What is a television series? A widespread answer takes it to be a totality of episodes and seasons. Luca Bandirali and Enrico Terrone argue against this characterization. In Concept TV: An Aesthetics of Television Series, they contend that television series are concepts that manifest themselves through episodes and seasons, just as works of conceptual art can manifest themselves through installations or performances. In this sense, a television series is a conceptual narrative, a principle of construction of similar narratives. While the film viewer directly appreciates a narrative made of images and sounds, the TV viewer relies on images and sounds to grasp the conceptual narrative that they express. Here lies the key difference between television and film. Reflecting on this difference paves the way for an aesthetics of television series that makes room for their alleged prolixity, their tendency to repetition, and their lack of narrative closure. Bandirali and Terrone shed light on the specific ways in which television series are evaluated, arguing that some apparent flaws of them are, indeed, aesthetic merits when considered from a conceptual perspective. Hence, to maximize the aesthetic value of television series, one should not assess them in the same framework in which films are assessed but rather in a distinct conceptual framework.

Author(s): Luca Bandirali, Enrico Terrone
Publisher: Lexington Books
Year: 2021

Language: English
Pages: 144
City: Lanham

Cover
Half Title
Title Page
Copyright Page
Contents
List of Figures
List of Figures
Acknowledgments
Introduction
Chapter 1: The Problem: Supersize Narratives
Television Series as Megamovies
The Vast Amount of Time
The Norms of Audiovisual Narrative
The Clash between Norms and Time
Filling Strategies
Two Alternative Conclusions
Chapter 2: The Solution: Conceptual Narratives
Video Art, Film, Television
Arguing for the Conceptual Hypothesis
Television Series as Conceptual Narratives
Ontology and Evaluation
The Components of Conceptual Narratives
Chapter 3: The Upshot: Engaging with Conceptual Narratives
The Normativity of Conceptual Narratives
The Evaluation of Conceptual Narratives
Approaches to Evaluation
Modes of Conceptual Narratives
Conceptual Metanarratives
Serialized Series
Serialized Characters
Conclusion: Rethinking Television Series
Bibliography
Index
About the Authors