Comic Empires: Imperialism in Cartoons, Caricature, and Satirical Art

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Comic empires is a unique collection of new research exploring the relationship between imperialism and cartoons, caricature, and satirical art. Edited by leading scholars across both fields, the volume provides new perspectives on well-known events, and also illuminates little-known players in the ‘great game’ of empire. It contains contributions from noted as well as emerging experts. Keren Zdafee and Stefanie Wichhart both examine Egypt (in the turbulent 1930s and during the Suez Crisis, respectively); David Olds and Robert Phiddian explore the decolonisation of cartooning in Australia from the 1960s. Fiona Halloran, the foremost expert on Thomas Nast (1840–1902), examines his engagement with US westward expansion. The overseas imperialism of the United States is analysed by Albert D. Pionke and Frederick Whiting, as well as Stephen Tuffnell. Shaoqian Zhang takes a close look at Chinese and Japanese propagandising during the conflict of 1937–1945; and David Lockwood interrogates the attitudes of David Low (1891–1963) towards British India. Some of the finest comic art of the period is deployed as evidence, and examined seriously – in its own right – for the first time. Readers will find cartoons on subjects as diverse as the Pacific, Cuba, and Cyprus, from Punch, Judge, and Puck. Egyptian, German, French, and Australian comic art also enriches this innovative collection. Accessible to students of history at all levels, Comic empires is a major addition to the world-leading ‘Studies in imperialism’ series, while standing alone as an innovative and significant contribution to the ever-growing field of comics studies.

Author(s): Richard Scully and Andrekos Varnava
Series: Studies in Imperialism
Publisher: Manchester University Press
Year: 2020

Language: English
Pages: 430
Tags: Cartoons; Caricature; Imperialism; Empire; Punch; Cartoonists; Puck; Race; Colonialism; Decolonisation

Front matter
Contents
List of figures
Contributors
Acknowledgements
Introduction: the importance of cartoons, caricature, and satirical art in imperial contexts
PART I: High imperialism and colonialism
Courting the colonies: Linley Sambourne, Punch, and imperial allegory
‘Master Jonathan’ in Cuba: a case study in colonial Bildungskarikatur
‘The international Siamese twins’: the iconography of Anglo-American inter-imperialism
‘“Every dog” (no distinction of color) “has his day”’: Thomas Nast and the colonisation of the American West
PART II: The critique of empire and the context of decolonisation
The making of harmony and war, from New Year Prints to propaganda cartoons during China’s Second Sino-Japanese War
David Low and India
Between imagined and ‘real’: Sarukhan’s al-Masri Effendi cartoons in the first half of the 1930s
The iconography of decolonisation in the cartoons of the Suez Crisis, 1956
Punch and the Cyprus emergency, 1955–1959
PART III: Ambiguities of empire
Outrage and imperialism, confusion and indifference: Punch and the Armenian massacres of 1894–1896
Ambiguities in the fight waged by the socialist satirical review Der Wahre Jacob against militarism and imperialism
The ‘confounded socialists’ and the ‘Commonwealth Co-operative Society’: cartoons and British imperialism during the Attlee Labour government
Australian cartoonists at the end of empire: no more ‘Australia for the White Man’
Index