Cli-Fi: A Companion

This document was uploaded by one of our users. The uploader already confirmed that they had the permission to publish it. If you are author/publisher or own the copyright of this documents, please report to us by using this DMCA report form.

Simply click on the Download Book button.

Yes, Book downloads on Ebookily are 100% Free.

Sometimes the book is free on Amazon As well, so go ahead and hit "Search on Amazon"

What is Cli-Fi?

Climate change fiction is a new literary phenomenon that emerged at the turn of the twenty-first century in response to what may be society’s greatest challenge. Climate change is already part responsible for extreme weather events, flooding, desertification and sea level rise, leading to famine, the spread of disease, and population displacement. Cli-fi novels and films are typically set in the future, telling of disaster and its effect on humans, or they depict the present, beset by dilemmas, conflicts or conspiracies, and pointing to grave consequences. At their heart are ethical and political questions: will humankind rise to the challenge of acting collectively, in the interest of the future? What sacrifices will be necessary, and is a green dictatorship our only hope for survival as a species?

Each chapter in this volume offers a way of reading a particular literary text or film, drawing attention to themes, formal features, reception, contribution to public debate, and issues for class discussion. Popular novels and films (Kim Stanley Robinson’s Science in the Capitol trilogy, Michael Crichton’s State of Fear, Ian McEwan’s Solar, and The Day after Tomorrow) are examined alongside lesser known writing (for instance J. G. Ballard’s «proto-climate change» novel The Drowned World and Antti Tuomainen’s Finnish thriller, The Healer), and films not generally thought of as being about climate change (Frozen and Take Shelter).

The book, which includes an introduction tracing the emergence and influence of cli-fi, is directed towards general readers and film enthusiasts as well as teachers and students. Written in an accessible style, it fills the gap between academic studies and online blogs, offering a comprehensive look at this timely new genre.

Author(s): Axel Goodbody (editor), Adeline Johns-Putra (editor)
Series: (Genre Fiction and Film Companions)
Edition: New
Publisher: Peter Lang Ltd, International Academic Publishers
Year: 2018

Language: English
Pages: 236
Tags: Literary Criticism, Literary Theory, Novel Criticism, Climate Fiction, Cli-Fi

Cover
Contents
Introduction (Axel Goodbody / Adeline Johns-Putra)
Defining cli-fi
A brief overview of literary production
Fictionalizing climate change: Aims and challenges
Approaches and forms
Teaching cli-fi
The shape and aims of this volume
Part I Proto-Climate Change Fiction
J. G. Ballard’s The Drowned World (1962) – Psycho-Geographical Cli-Fi (Jim Clarke)
Max Frisch’s Man in the Holocene (1980) – Geological Cli-Fi (Thomas H. Ford)
Ignacio Brandão’s And Still the Earth (1981) – Political Cli-Fi (Mark Anderson)
Part II Speculative Future Fiction: Dystopian and Post-Apocalyptic Narratives
George Turner’s The Sea and Summer (1987) – Urban Dystopian Cli-Fi (Thomas H. Ford)
Margaret Atwood’s MaddAddam Trilogy (2003–2013) – Post-Apocalyptic Cli-Fi (Dana Phillips)
Paolo Bacigalupi’s The Windup Girl (2009) – Biopunk Cli-Fi (M. Isabel Pérez-Ramos)
Steven Amsterdam’s Things We Didn’t See Coming (2009) – Riskscape Cli-Fi (Antonia Mehnert)
Ilija Trojanow’s The Lamentations of Zeno (2011/2016) – Prophetic Cli-Fi (Axel Goodbody)
Bong Joon-ho’s Snowpiercer (2014) – Adventure Cli-Fi (Kiu-Wai Chu)
Jeff Nichols’s Take Shelter (2011) – Psychic Cli-Fi (Stef Craps)
Part III Realist Narratives Set in the Present and Near Future
Maggie Gee’s The Ice People (1998) and The Flood (2004) – State of the Nation Cli-Fi (Adeline Johns-Putra)
T. C. Boyle’s A Friend of the Earth (2000) – Activism in Cli (Adam Trexler)
Kim Stanley Robinson’s Science in the Capitol Trilogy (2004–2007) – Science and Politics in Cli-Fi (Chris Pak)
Barbara Kingsolver’s Flight Behaviour (2012) – Class and Religion in Cli-Fi (Sylvia Mayer)
Nathaniel Rich’s Odds Against Tomorrow (2013) – Risk and Rationality in Cli-Fi (Hannes Bergthaller)
Franny Armstrong’s The Age of Stupid (2009) – Documentary Cli-Fi (Alexa Weik von Mossner)
Part IV Thriller, Crime, Conspiracy and Social Satire
Roland Emmerich’s The Day After Tomorrow (2004) – Apocalyptic Cli-Fi (Alexa Weik von Mossner)
Michael Crichton’s State of Fear (2004) – Denialist Cli-Fi (Greg Garrard)
Liz Jensen’s The Rapture (2009) – Thriller Cli-Fi (Terry Gifford)
Will Self ’s The Book of Dave (2006) – Satirical Cli-Fi (Bradon Smith)
Ian McEwan’s Solar (2010) – British Comic Cli-Fi (Richard Kerridge)
Antti Tuomainen’s The Healer (2013) – Nordic Crime Cli-Fi (Lieven Ameel)
Part V Children’s Film and Young Adult Novels
Chris Buck and Jennifer Lee’s Frozen (2013) – Fantasy Cli-Fi (David Whitley)
Jostein Gaarder’s The World According to Anna (2013/2015) – Didactic Cli-Fi (Reinhard Hennig)
Saci Lloyd’s The Carbon Diaries 2015 (2008) – Coming-of-Age Cli-Fi (Sina Farzin)
Part VI Literary Modernism
David Brin’s Earth (1990) – Epic Cli-Fi (Ursula K. Heise)
David Mitchell’s The Bone Clocks (2014) – Genre Pluralism in Cli-Fi (Bradon Smith)
Jeanette Winterson’s The Stone Gods (2007) – Postmodern Cli-Fi (Louise Squire)
Alexis Wright’s The Swan Book (2013) – Indigenous Cli-Fi (Iva Polak)
Bibliography
Notes on Contributors
Index