Christian Iconography or the history of Christian art in the Middle Ages. Volume 1. The history of the Nimbus, the Aureole, and the Glory; representations of the Persons of the Trinity

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London: G. Bell, 1886. — 508 p.
Iniroduction
Nimbus, or Glory
Definition of the Nimbus
Form of the Nimbus
On the Application of the Nimbus The Nimbus of God
The Nimbus of Angels and Saints
Nimbus of Persons Living
The Nimbus of Allegorical Beings Signification of the Nimbus
History of the Nimbus
The Aureole
The Form of the Aureole
The Application of the Aureole
The History of the Aureole
The Glory
The Nature of the Glory
Of the Glory : its Origin and Native Country
The Character of the Glory
On the Colour of the Aureole
The history of God
God the Father
Portraits op God the Father
Characteristic Attributes of God the Father
God the Son g
History of the Portraits of God the Son
Archeological Signs, characteristic of our Saviour
The Triumph of Christ
Jesus Christ as a Lamb
Jesus, as the Good Shepherd
Jesus, figured by the Fish
The Cross, a Symbol of Christ
The Varieties of the Cross
The Sign of the Cross
The Colour of the Cross
The Triumph of the Cross
History of the Holy Ghost
Definition of the Holy Ghost
Worship of the Holy Ghost
Manifestations of the Holy Ghost
The Holy Spirit as a Dove
The Colour of the Holy Ghost represented as a Dove
The Holy Ghost as a Man
Qualities peculiar to the Holy Ghost
Chronological Iconography of the Holy Ghost
The Attributes of the Holy Ghost
Heresies against the Holy Ghost

Author(s): Didron Adolphe Napoléon, Stokes Margaret.

Language: English
Commentary: 1978466
Tags: Искусство и искусствоведение;Изобразительное искусство;Анализ произведений изобразительного искусства;Сюжетика и символика изобразительного искусства