Iwalewa-Haus, under the directorship of Ulli Beier has actively participated in the revitalization and continuation of the different cultural and artistic lives of the Third World societies. Within the small, in-house publication operation of Iwalewa-Haus can be found almost every third world culture and society, but because of Ulli Beier's special connection with Yoruba society and people, its collection and publications on that society are unique--including numerous interviews with Wole Soyinka and other Yoruba scholars on Yoruba music, art, philosophy, religion, and culture. In addition, the house has been actively promoting all aspects of Yoruba theatrical performances and artistic practices where they are active, or reviving and supporting them where they have been threatened.
The papers herein deal with the past and present state of Yoruba society and culture. The connected themes of past glory, (brief) renaissance, and present crises are made coherent. The motivation to assemble the papers which make this book is more than merely academic. In the tradition of Ulli Beier himself and Iwalewa-Haus it aims to directly intervene and provoke debate and take action.
This book is addressed to Yoruba English-reading/speaking audiences and to all (Black) African societies facing the same kind of crisis the Yoruba face. All have been existing precariously in the cusp between technologized modernity and traditional ways. Thus, although this collection is specifically on Yoruba society, its broad concerns apply to most African societies.
ABOUT THE AUTHORS
Olu Obafemi is professor of English and Dramatic Literature at the department of Modern European languages at the University of Ilorin.
Wole Ogundeleis a Senior lecturer at Obafemi Awolowo University, Ile-Ife, Nigeria.
Femi Abodunrin is a Humboldt fellow at the University of Bayreuth in Germany.
Author(s): Olu Obafemi; Femi Abodunrin; Wole Ogundele
Publisher: Africa World Press
Year: 2001
Language: English
Pages: 410
City: Trenton, N.J.
Tags: yoruba culture; orisha; iwalewa haus
Character Is Beauty: Redefining Yoruba Culture & Identity
Contents
Introduction
Preface: Forty Years in African Art and Life: Reflections on Ulli Beier (Olu Obafemi))
I. The Crisis of Yoruba Culture
The Crisis of Yoruba Culture (Wole Soyinka & Ulli Beier)
The Osun Grove of Oshogbo: Symbol of the Crisis of Yoruba Culture (Susanne Wenger & Uli Beier)
The Age of Miracles: Crises in Contemporary Yoruba Society (Wole Ogundele & Ulli Beier)
II. Theater
The Returm of Shango: The Theater of Duro Ladipo (Ulli Beier)
The Yoruba Operatic Theater: A World in Search of Harmony and Social Order: Ladipo, Ogunde and Olaiya (Olu Obafeminn))
Esu-Elegbara and the Carnivalesque (Femi Adodunrin)
III. Religion & Philosophy
Orisha Liberates the Mind (Ulli Beier & Wole Soyinka)
Sangodare Gbadegesin Ajala (Sangodare & Susanne Wenger)
Death and the King’s Horseman (Wole Soyinka & Ulli Beier)
IV. Art
Yoruba Aesthetics (Roland Abiodun & Ulli Beier)
To Organise is to Destroy: The Oshogbo Art School (Georgina Beier)
V. Yoruba Society
Womanhood in Yoruba Traditional Thought (Sophie B. Oluwole)
Yoruba Women (Roland Abiodun & Ulli Beier)
Yoruba Values (Roland Abiodun & Ulli Beier)
Iconography of Order & Disorder: Conversation with Ulli Beier (Femi Abodunrin)
VI. Music
The Music of Yoruba Gods (Akin Euba)
A Gift of the Gods: The Story of the Invention of the "ODU" Gongs and the Rediscovery of the Ancient Lithophone (Ademola Omibonokula)
A Career in Music & Theater (Muraina Oyelami)
The Making of a Multicultural Musician (Wole Ogundele & Femi Abodunrin talk to Tunji Beier)
VI. Colonialism
Wole Soyinka on "Identity" (From a Conversation with Ulli Beter)
The Making of a Philosopher (Ulli Beier Talks to Dr. Sophie Oluwole)