Caravans of Gold, Fragments in Time. Art, Culture, and Exchange across Medieval Saharan Africa

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How West African gold and trade across the Sahara were central to the medieval world The Sahara Desert was a thriving crossroads of exchange for West Africa, North Africa, the Middle East, and Europe in the medieval period. Fueling this exchange was West African gold, prized for its purity and used for minting currencies and adorning luxury objects such as jewelry, textiles, and religious objects. Caravans made the arduous journey by camel southward across the Sahara carrying goods for trade―glass vessels and beads, glazed ceramics, copper, books, and foodstuffs, including salt, which was obtained in the middle of the desert. Northward, the journey brought not only gold but also ivory, animal hides and leatherwork, spices, and captives from West Africa forced into slavery. Caravans of Gold, Fragments in Time draws on the latest archaeological discoveries and art historical research to construct a compelling look at medieval trans-Saharan exchange and its legacy. Contributors from diverse disciplines present case studies that form a rich portrayal of a distant time. Topics include descriptions of key medieval cities around the Sahara; networks of exchange that contributed to the circulation of gold, copper, and ivory and their associated art forms; and medieval glass bead production in West Africa’s forest region. The volume also reflects on Morocco’s Gnawa material culture, associated with descendants of West African slaves, and movements of people across the Sahara today.

Featuring a wealth of color images, this fascinating book demonstrates how the rootedness of place, culture, and tradition is closely tied to the circulation of people, objects, and ideas. These “fragments in time” offer irrefutable evidence of the key role that Africa played in medieval history and promote a new understanding of the past and the present.

Published in association with the Mary and Leigh Block Museum of Art, Northwestern University Exhibition Schedule Block Museum of Art, Northwestern University: January 26–July 21, 2019 Aga Khan Museum, Toronto: September 21, 2019–February 23, 2020 Smithsonian National Museum of African Art, Washington, DC: April 8–November 29, 2020

Author(s): Kathleen Bickford Berzock
Edition: Illustrated
Publisher: Princeton University Press
Year: 2019

Language: English
Pages: 312
Tags: West Africa, Sahel, Morocco, Gold trade,

Frontispiece
Contents
Section I. Groundwork
Caravans of gold, fragments in time. An introduction
Uncertain fragments. A divination
Views from afar. Reading medieval Trans-Saharan trade through Arabic accounts
The sources of gold. Narratives, technology, and visual culture from the Mande and Akan worlds
Fragments at risk. The protection of cultural heritage in Mali, Morocco, and Nigeria
Section II. Sites
The Sahara as a cultural zone
Sijilmasa’s role in the African gold trade
Essouk-Tadmekka. A Southern Saharan center of the early Islamic camel caravan trade
Gao, a Middle Niger city in medieval trade
Urbanization and trade networks in the Inland Niger delta
Polities and trade in medieval Northern Nigeria
Section III. Matter in motion
Gold, ivory, and copper. Materials and arts of Trans-Saharan trade
Dinars as historical texts. Documenting the African gold trade
Gold processing and the early Islamic market town of Tadmekka, Mali
Medieval glass bead production and exchange
The written word. Islamic literacy and Arabic manuscripts in West Africa
Section IV. Reverberations
Red gold. Things made of copper, bronze, and brass
Gnawa material culture. Innovation across the Sahara
Saharan crossing. The realities of migration today
Bibliography