Black Cinema & Visual Culture: Art and Politics in the 21st Century

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This culturally and politically timely collection examines new Black films and moving images that have, once again, excited and possibly shifted the global media landscape. At a moment some scholars have described as post-post-racial, Black Cinema & Visual Culture provides new, urgent definitions and theories for Black cinema and furthers the development of its critical discourses. Gathering some of the leading scholars and critics in the field, this book enriches and advances the study of Black film and media and its social and political implications at a breakthrough period of expansion in the 21st century. This anthology tackles a wide range of topics from social justice, new media, and Afrofuturism, to race, gender, sexuality, mass incarceration, cultural memory, and Afrosurrealism, exploring the current climate of Black cinematic art that has proven wildly popular with domestic and global audiences, including hit films like Get Out and Marvel’s Black Panther. Together, these essays deepen understandings of Black visual culture, its creative image-makers, the political economy of Hollywood, and the cultural politics at the intersection of modern cinema, streaming platforms, and digital technologies. Black Cinema & Visual Culture will serve as an important learning tool for university courses spanning topics in film studies, American film and television, cultural studies, American studies, African Diaspora studies, media activism, social analysis, and African-American studies. This volume will also provide a benchmark in popular and intellectual circles for anyone interested in popular culture, Black-American cinema, media, issues of race in Hollywood, or Black culture and the conditions that shape both its art and politics.

Author(s): Artel Great, Ed Guerrero
Publisher: Routledge
Year: 2023

Language: English
Pages: 180
City: London

Cover
Half Title
Title Page
Copyright Page
Table of Contents
Contributors
Acknowledgments
Introduction
Notes
1 The Afrofuture and Black Horror in Three Acts
Act I
The Cultural Turn: In “Get Out,” Or “Guess Who’s Coming to Dinner” … Now
Act II
Bad Dreams in the Master’s House
Act III
Twilight Civilization
Notes
2 Feeling What I’m Seeing, Seeing What I’m Feeling
Introduction
Feeling What I’m Seeing: Nance and Riggs
Television as a Technology of Blackness
Gathering Concerns, Monetizing Blackness
Seeing What I’m Feeling
Television and the Discursivity of Blackness
Coda
Notes
3 Bury Me in the Ocean: Marvel’s Black Panther and the Politics of Performative Wokeness
Notes
4 Listening Rather for the Tone Than the Lyrics: A Memoire of Afrosurrealism
Notes
5 The Philosophonic Labor of These Hands
Notes
6 To Build a Table: The Rise of Tyler Perry in African-American Cinema
Introduction
On Acrimony and the Perry Paradox
Welcome to Tyler Perry Studios
Prosperity Gospel and “Walking By Faith” in the Entertainment Industry
Conclusion
Notes
7 Streaming for Black Lives
Notes
8 Out of Form Into Being: Black Women Filmmakers and Experiments in Expansive Cinema
Black Women and Moving Images: A Metaphysical Approach
Cosmologies of Being
From Expanded to Expansive Cinema
Elissa Blount-Moorhead’s Expansive Experiments With Form and Being
Notes
9 Strangers in the Village: Black Independent Cinema in the 21st Century
Tyler, Ava, and Jordan
“The Black Cinerati”
Beautiful Dark-Twisted Fantasy; Or Living (In)Visible Blackness
Notes
10 Prison Notes: Cinematic Tales From the Black Gulag
Notes
11 Future Rhythms in Afrofuturist Films
What Is Afrofuturism?
The Rise of Bast
Space Games
Art Installations in the Stars
Index