Before Intimacy: Asocial Sexuality in Early Modern England

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Before the eighteenth-century rise of the ideology of intimacy, sexuality was defined not by social affiliations but by bodies. In Before Intimacy , Daniel Juan Gil examines sixteenth-century English literary concepts of sexuality that frame erotic ties as neither bound by social customs nor transgressive of them, but rather as “loopholes” in people’s experiences and associations.  Engaging the poems of Wyatt, Sidney’s Astrophil and Stella , Spenser’s Amoretti and The Faerie Queene , and Shakespeare’s Troilus and Cressida and the Sonnets , Gil demonstrates how sexuality was conceived as a relationship system inhabited by men and women interchangeably—set apart from the “norm” and not institutionalized in a private or domestic realm. Going beyond the sodomy-as-transgression analytic, he asserts the existence of socially inconsequential sexual bonds while recognizing the pleasurable effects of violating the supposed traditional modes of bonding and ideals of universal humanity and social hierarchy.  Celebrating the ability of corporeal emotions to interpret connections between people who share nothing in terms of societal structure, Before Intimacy shows how these works of early modern literature provide a discourse of sexuality that strives to understand status differences in erotic contexts and thereby question key assumptions of modernity.  Daniel Juan Gil is assistant professor of English at TCU.

Author(s): Daniel Juan Gil
Edition: 1
Publisher: Univ Of Minnesota Press
Year: 2006

Language: English
Commentary: 61848
Pages: 206

Contents......Page 6
Acknowledgments......Page 8
Introduction......Page 10
1. The Social Structure of Passion......Page 18
2. Intimacy and the Eroticism of Social Distance: Sidney's Astophil and Stella and Spenser's Amoretti......Page 44
3. Civility and the Emotional Topography of The Faerie Queene......Page 66
4. At the Limits of the Social World: Fear and Pride in Shakespeare's Troilus and Cressida......Page 94
5. Poetic Autonomy and the History of Sexuality in Shakespeare's Sonnets......Page 120
Epilogue......Page 154
Notes......Page 156
B......Page 198
E......Page 199
H......Page 200
M......Page 201
R......Page 202
S......Page 203
X......Page 204