Brilliantly introduced by Nezar Andary, this book is a work of creative nonfiction that approaches writing on film in a fresh and provocative way. It draws on academic, literary, and personal material to start a dialogue with the Egyptian filmmaker Shadi Abdel Salam’s
The Mummy (1969), tracing the many meanings of Egypt’s postcolonial modernity and touching on Arab, Muslim, and ancient Egyptian identities through watching the film.
Author(s): Youssef Rakha
Series: Palgrave Studies in Arab Cinema
Publisher: Palgrave Pivot
Year: 2021
Language: English
Pages: 111
City: Cham
Praise for Barra and Zaman: Reading Egyptian Modernity in Shadi Abdel Salam’s The Mummy
Contents
List of Figures
Series Editor’s Foreword: An Introduction to Youssef Rakha’s Mummification
Youssef Rakha’s Mummification: An Opening of the Mouth
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Bibliography
Index
