Autobiography, a fully-recognised genre within mainstream literature today, has evolved massively in the last few decades, particularly through colonial and postcolonial texts. By using autobiography as a means of expression, many postcolonial writers were able to describe their experiences in the face of the denial of personal expression for centuries. This book is centred around the recounting and analysis of such a phenomenon. Literary purists often reject autobiography as a fully-fledged literary genre, perceiving it rather as a mere life report or a descriptive diary. The colonial and postcolonial autobiographical texts analysed in this book refute such perceptions, and demonstrate a subtle combination of literary qualities and the recounting of real-life experiences. Through its deployment of multiple uses of the 'I' and the 'me', autobiography has assumed its rightful place as a literary genre. As this book demonstrates, colonial and postcolonial texts in particular have established their 'literarity'. The need for postcolonial authors to express themselves as subjects and not as objects is the essence of this book, which confirms that self-affirmation through autobiographical writing is an art-form.
Author(s): Benaouda Lebdai
Edition: 1
Publisher: Cambridge Scholars Publishing
Year: 2015
Language: English
Pages: 185
Tags: Literary Criticism, Literary Theory, Postcolonialism
TABLE OF CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
CHAPTER ONE
SALMAN RUSHDIE / JOSEPH ANTON
‘PIECES OF MY LIFE’
CHAPTER TWO
BLACK MODERNITY AND THE NEGOTIATIONOF BLACK SPACE
FREDERICK DOUGLASS’S PHOTOGRAPHICSTRATEGY IN THE REPRESENTATIONOF HIMSELF
BARACK OBAMA’S AUTOBIOGRAPHY
CHAPTER THREE
NARRATIVE IDENTITIES (JEUX DU JE)IN KIFFE KIFFE DEMAIN BY FAÏZA GUÈNEAND GRAPES OF DESPAIRBY TAHAR BEN JELLOUN
AUTOBIOGRAPHICAL IMPERATIVESAND HISTORICAL CONSCIOUSNESSIN SELECTED WORKS OF BESSIE HEAD
CHAPTER FOUR
AUTOBIOGRAPHICAL INTERTEXTUALITYIN NOVELISTIC AND ESSAYISTIC PRODUCTIONOF HENRI LOPES AND ALAIN MABANCKOU
FERDINAND OYONOAND AHMADOU KOUROUMA
CHAPTER FIVE
IN BETWEEN THE COLLECTIVEAND THE INDIVIDUAL
THE POSTCOLONIAL AUTOBIOGRAPHY
CONTRIBUTORS