What happens when a radical new idea becomes the status quo? When one generation of thinkers demolishes a set of commonly held assumptions, how do members of the next generation respond? These are the large-scale questions that motivate Authorships Wake, which examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthess famous essay, The Death of the Author. Authorships Wake examines the enduring legacy of the critique of the author as an all-controlling figure determining the meaning of literary textsa critique that, in turn, participates in the broader poststructuralist interrogation of the rational, autonomous, and self-transparent Enlightenment subject. The books archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (such as Judith Butler), others who are known primarily as novelists (Zadie Smith and David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner and the autotheory of Maggie Nelson). All of them, Sayerss argue, are participants in an ongoing transgeneric conversation about the aesthetic, ethical, political, and economic stakes of authorship.
Author(s): Philip Sayers
Publisher: Bloomsbury Academic
Year: 2021
Language: English
Pages: 224
Tags: Literary Criticism, Critical Thinking, Literary Theory
Cover
Contents
Introduction: “Words Streaming in Your Wake”
1. Sole Authors
2. Writing After
3. Communication, Intention, Agency, Labor
Chapter 1 Communication: Maggie Nelson and the Literary Text as Letter
1. Introduction
2. Letters
2.1. The Literary Text as Letter
2.2. Epistolarity and The Argonauts
2.3. The Risks of Letter-Writing
2.4. Silence
3. Communication, Nonsense, and Space
3.1. “Whereof One Cannot Speak”
3.2. Acknowledged Nonsense
3.3. Space
3.4. The Work of the Reader
4. The Argonauts and the Ethics of Space
4.1. Fragments
4.2. Allusions and Family-Making
Chapter 2 Intention: The Inconsistent Anti-Intentionalism of Zadie Smith and Judith Butler
1. Introduction
1.1. Consulting the Oracle
1.2. Intention and the Authorship Debates
2. On Beauty and Anti-Intentionalism
2.1. Zadie Smith and the Return to Authorial Intention
2.2. On Beauty against the Critique of Intention
2.3. On Beauty and Psychoanalysis
2.4. On Beauty and Critique
3. The Humanities Quandary
3.1. Judith Butler and the Humanities Quandary
3.2. Howard Belsey and the Humanities Quandary
3.3. “In Effect If Not in Intent”
4. Conclusion
Chapter 3 Agency: Roland Barthes and the Men Who Hold Forth
1. Introduction
1.1. “Mr. Very Important”
1.2. “Men Explain Things to Me” in Context
2. Autofiction versus the Man Who Holds Forth
2.1. I Love Dick
2.2. How Should a Person Be?
2.3. 10:04
2.4. “What Is It to Hold Forth?”
3. Roland Barthes, Man Who Holds Forth?
3.1. The Charge of Apoliticism
3.2. Barthes and Queer Politics
3.3. Barthes and Post-1968 Orientalism
3.4. Barthes and Feminism
3.5. Barthes as Teacher and Author
Chapter 4 Labor: David Foster Wallace, Cowboy of Information
1. Introduction
1.1. Bureaucratizing Writing
2. Accountants, Writers, and Cowboys
2.1. On Amy Hungerford Not Reading DFW
2.2. Accountants
2.3. Writers
2.4. Cowboys
3. Two Broad Arcs
3.1. Neoliberalism and Information Work
3.2. Low Theory
Conclusion: Study Groups
Acknowledgments
Notes
Bibliography
Index
