There is a culturally significant way of being Yorùbá that is expressed through dress, greetings, and celebrations—no matter where in the world they take place. Adélékè Adék documents Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in contemporary speech, photography, gendered ideas of dressing well, and the formalities of ceremony and speech at celebratory occasions, Adéékó contends that being Yorùbá is indeed an art and Yorùbá-ness is a dynamic phenomenon that responds to cultural shifts as Yorùbá people inhabit an increasingly globalized world.
Review
"This book is bound to change how we think about and perhaps how we study what it is to be Yoruba. More importantly, it opens new vistas for contestations, interpretations, characterizations, and idenitification of what being Yoruba means or entails." ―Olufemi Taiwo, author of Africa Must Be Modern
"Adeleke Adeeko articulates how people act Yoruba through the retention of traditional cultural practices, like naming ceremonies, kneeling down to greet, lineage praise poetry, and even in writing and art. All of these are part of the Yoruba "art of being," and thus, are a configuration of culture." ―Akintunde Akinyemi, author of Yoruba Orature and Riddles
About the Author
Adélékè Adéèk is Humanities Distinguished Professor in the English and African American and African Studies departments at Ohio State University. He is the author ofProverbs, Textuality, and Nativism in African Literature andThe Slave's Rebellion: Literature, History, Orature(IUP).
Author(s): Adélékè Adéèkó
Series: African Expressive Cultures
Publisher: Indiana University Press
Year: 2017
Language: English
Pages: 200
City: Bloomington & Indianapolis
Tags: yoruba culture
Cover
ARTS OF BEING YORÙBÁ
Title
Copyright
Dedication
Contents
Acknowledgments
Introduction
1 “Writing” and “Reference” in Ifá Divination Chants
2 Culture, Meaning, Proverbs (For Oyekan Owomoyela, in Memoriam)
3 Reading, Writing, and Epistemic Instability in Fágúnwà’s Novels
4 Sex, Gender, and Plot in Fágúnwà’s Adventures
5 Akínwùmí Ìṣolá’s Ẹfúnṣetán Aníwúrà and Yorùbá Woman-Being
6 Photography and the Panegyric in ContemporaryYorùbá Culture
Conclusion: Book Launches as Cultural Affirmation
Bibliography
Index