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The studies collected in this volume demonstrate the enduring vitality of the Arthurian legend in a wide range of places, times and media. Chrétien's 'Conte du Graal' features first in a study of the poem's place in its Anglo-Norman context, followed by four essays on Malory's 'Morte Darthur'. Two of these deal with the significance of wounds and wounding in Malory's text, while the third explores the problematic aspects of sleep and the "slepynge knight" in that same romance. The fourth considers "transformative female corpses" as, quite literally, the embodiment of critical comment on the chivalric community in the 'Morte Darthur'. There follow two studies of the Arthurian legend captured in material objects: the first concerns the early twelfth-century images on a marble column from the cathedral at Santiago de Compostela, the second a twentieth-century tapestry created by Lady Trevelyan for the family home at Wallington Hall. The volume closes with an essay that brings us into the twenty-first century, with an assessment of 'Kaamelott', an irreverent French Pythonesque television series.
Author(s): Elizabeth Archibald, David F. Johnson (eds.)
Publisher: D. S. Brewer
Year: 2014
Language: English
Pages: 220
City: Cambridge
List of Illustrations vii
General Editors’ Foreword ix
List of Contributors xi
I. Chrétien’s 'Conte du Graal' between Myth and History / Irit Ruth Kleiman 1
II. Malory’s Thighs and Launcelot’s Buttock: Ignoble Wounds and Moral Transgression in the 'Morte Darthur' / Karen Cherewatuk 35
III. Weeping, Wounds and Worshyp in Malory’s 'Morte Darthur' / K. S. Whetter 61
IV. Sleeping Knights and ‘Such Maner of Sorow-Makynge’: Affect, Ethics and Unconsciousness in Malory’s 'Morte Darthur' / Megan Leitch 83
V. Mirroring Masculinities: Transformative Female Corpses in Malory’s 'Morte Darthur' / Erin Kissick 101
VI. Tristan and Iseult at the Cathedral of Santiago de Compostela / Joan Tasker Grimbert 131
VII. Trevelyan Triptych: A Family and the Arthurian Legend / Roger Simpson 165
VIII. 'Kaamelott': A New French Arthurian Tradition / Tara Foster 185