Art History After Deleuze and Guattari

Table of contents
Introduction:
Art History After Deleuze and Guattari
Sjoerd van Tuinen and Stephen Zepke
Remake/Remodel: Strategies of Reading Art Historians
Vlad Ionescu
Egon Schiele: Vitalist Deleuzian
Elisabeth von Samsonow
The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images
James Elkins
Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri Maldiney
Claudia Blümle
Deleuze and Didi-Huberman on Art History
Gustavo Chirolla and Juan Fernando Mejía Mosquera
Colliding Chaoïds in Iconology
Sascha Freyberg
The Image and the Problem of Expression: Towards an Aesthetic Cosmology
Bertrand Prévost
The Late and the New: Mannerism and Style in Art History and Philosophy
Sjoerd van Tuinen
Tintoretto’s Michelangelo: An Artistic Diagram as
the a priori of Art History
Kamini Vellodi
Painting Machines, “Metallic Suicide” and Raw Objects:
Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War Art
Ann-Cathrin Drews
The Buren Times
Éric Alliez with the collaboration of Jean-Claude Bonne
‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary Art
Stephen Zepke
Art’s Utopia: The Geography of Art against (its) History
Antoine L’Heureux
About the authors