Arabic Poetry: Trajectories of Modernity and Tradition (Routledge Studies in Middle Eastern Literatures)

This document was uploaded by one of our users. The uploader already confirmed that they had the permission to publish it. If you are author/publisher or own the copyright of this documents, please report to us by using this DMCA report form.

Simply click on the Download Book button.

Yes, Book downloads on Ebookily are 100% Free.

Sometimes the book is free on Amazon As well, so go ahead and hit "Search on Amazon"

Since the late 1940s, Arabic poetry has spoken for an Arab conscience, as much as it has debated positions and ideologies, nationally and worldwide. This book tackles issues of modernity and tradition in Arabic poetry as manifested in poetic texts and criticism by poets as participants in transformation and change. It studies the poetic in its complexity, relating to issues of selfhood, individuality, community, religion, ideology, nation, class and gender. Al-Musawi also explores in context issues that have been cursorily noticed or neglected, like Shi’i poetics, Sufism, women’s poetry, and expressions of exilic consciousness. Arabic Poetry employs current literary theory and provides comprehensive coverage of modern and post-modern poetry from the 1950s onwards, making it essential reading for those with interests in Arabic culture and literature and Middle East studies.

Author(s): Muhsin Al-musawi
Edition: 1
Year: 2006

Language: English
Pages: 304

BOOK COVER......Page 1
HALF-TITLE......Page 2
SERIES-TITLE......Page 3
TITLE......Page 6
COPYRIGHT......Page 7
DEDICATION......Page 8
CONTENTS......Page 10
PREFACE......Page 14
ACKNOWLEDGMENTS......Page 20
A NOTE ON TRANSLATION AND TRANSLITERATION......Page 22
1. POETIC TRAJECTORIES: Critical introduction......Page 24
2. THE TRADITION–MODERNITY NEXUS IN ARABIC POETICS......Page 53
3. POETIC STRATEGIES: Thresholds for conformity and dissent......Page 91
4. POETIC DIALOGIZATION: Ancestors in the text—figures and figurations......Page 111
5. DEDICATIONS AS POETIC INTERSECTIONS......Page 153
6. ENVISIONING EXILE: Past anchors and problematic encounters......Page 185
7. THE EDGE OF RECOGNITION AND REJECTION: Why T.S. Elliot?......Page 241
8. CONCLUSION: Deviational and reversal poetics—dissent, not allegiance......Page 260
NOTES......Page 291
WORKS CITED......Page 327
INDEX......Page 342