For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”
Jennifer Homans was a professional dancer trained at the North Carolina School of the Arts, American Ballet Theatre, and The School of American Ballet. She performed with the Chicago Lyric Opera Ballet, the San Francisco Ballet, and Pacific Northwest Ballet. Currently the dance critic for The New Republic, she has written for The New York Times, the International Herald Tribune, The New York Review of Books, and The Australian. She earned her B.A. at Columbia University and her Ph.D. in modern European history at New York University, where she is a Distinguished Scholar in Residence.
Author(s): Jennifer Homans
Edition: 1
Publisher: Random House
Year: 2010
Language: English
Pages: XXV, 643 + 40 plates
Tags: Ballet, Dance
Acknowledgments
Introduction: Masters and traditions
PART ONE: FRANCE AND THE CLASSICAL ORIGINS OF BALLET
1 Kings of dance
2 The Enlightenment and the story ballet
3 The French Revolution in ballet
4 Romantic illusions and the rise of the ballerina
5 Scandinavian orthodoxy: the Danish style
6 Italian heresy: pantomime, virtuosity, and Italian ballet
PART TWO: LIGHT FROM THE EAST: RUSSIAN WORLDS OF ART
7 Tsars of dance: imperial Russian classicism
8 East goes West: Russian Modernism and Diaghilev's Ballets Russes
9 Left behind? : Communist ballet from Stalin to Brezhnev
10 Alone in Europe: the British moment
11 The American century I: Russian beginnings
12 The American century II: The New York scene
Epilogue: The masters are dead and gone
Notes
Bibliography
Index
Illustration Credits