Animation Masterclasses: From Pencils to Pixels: A Complete Course in Animation & Production

This document was uploaded by one of our users. The uploader already confirmed that they had the permission to publish it. If you are author/publisher or own the copyright of this documents, please report to us by using this DMCA report form.

Simply click on the Download Book button.

Yes, Book downloads on Ebookily are 100% Free.

Sometimes the book is free on Amazon As well, so go ahead and hit "Search on Amazon"

Today, it is commonly believed that if you learn software, you can become an animator. Yet nothing could be further from the truth. Master animators are trained and not born. Software, as is the humble pencil, is merely yet another tool through which an animator can apply their knowledge. However, neither software nor pencils give you that knowledge, nor do they do the work for you. If you place a fully trained master animator on a computer, or give them a pencil, they’ll astound you with their mastery. However, if you put a nontrained animator on a computer, all you will have is a technician creating moving objects ・ as you’ll see all over YouTube and other video platforms.

This book teaches you exactly how to become a Master Animator ・ whether you ultimately plan to use pencils, computers, drawing tablets or rigged characters. It’s a complete course in its own right, being a collection of 48 masterclasses gleaned from the author’s 50 years of experience of top-level animating, teaching and filmmaking. It will also train you in the value and application of observational gesture drawing. This book of masterclasses by a master of the art, Tony White, is entirely designed to be THE definitive reference book for students learning how to make things move really well ・ as well as how to create films once you know how to do so.

A book for everyone:

For home-based, self-study students: It is a perfect manual to take you from raw beginner to proven animated filmmaker.

For full-time students: It is an ideal companion to supplement your full-time educational studies, which, no doubt, is overly based on software technology.

For current animation professionals: It is a comprehensive archive of animation tips and techniques that will enable you to take your work to the next level.

For current animation educators and instructors: It is a book that can be the ultimate curriculum and study program, enabling your own students to become the master animators of today and tomorrow.

Author(s): Tony White
Edition: 1
Publisher: CRC Press
Year: 2022

Language: English
Pages: 808

Cover
Half Title
Title Page
Copyright Page
Table of Contents
Author
Acknowledgements
Introduction
I: THE CORE PRINCIPLES OF
MOVEMENT – TRADITIONAL
TECHNIQUES
1 MASTERCLASS 01/Getting to Know You
Introduction
Warm-Up Drawing
Instruction
Educational Qualifications
Teaching Experience
DigiPen Institute of Technology (2005–2011): Dean of Art and Animation
Author
Professional Experience
Courses, Festivals and Professional Lectures
Recent Projects and in Development
Awards
Animation Links
Flipbooks
Flipbook Assignment
Filming Your Flipbook
Keys, Breakdowns and Inbetweens
Peg Bars
Capturing Animation
The Basic Process of Animation
Exposure Sheets
Final Comment
2 MASTERCLASS 02/Squash, Stretch and Bouncing Balls
Introduction
Warm-Up Gesture Drawing
Instruction
iPad Animation
Suggested Assignment
3 MASTERCLASS 03/Keys, Breakdowns and Inbetweens
Equipment
Warm-Up Gesture Drawing
Instruction
Suggested Assignment
4 MASTERCLASS 04/More on "Squash & Stretch"
Gesture Drawing
Instruction
Suggested Assignment
5 MASTERCLASS 05/More on Slow-In and Slow-Out
Warm-Up Drawing
Instruction
Pendulum Swing
Suggested Assignment
6 MASTERCLASS 06/Timing and Placement
Warm-Up Drawing
Instruction
Timing and Placement
Suggested Assignment
7 MASTERCLASS 07/Generic Walk Action 01
Warm-Up Drawing
Pose Alternatives
Instruction
Suggested Assignment
8 MASTERCLASS 08/Generic Walk Action 02
Warm-Up Drawing
Sad Emotions
Instruction
Suggested Assignment
9 MASTERCLASS 09/Generic Walk Action 03
Warm-Up Drawing
Happy Emotions
Instruction
The Slow, Sad or Sloppy Walk
Military Walk
Fussy or Nervy Walk
Angry or Aggressive Walk
Heavy and Bouncy Walks
Suggested Assignment
10 MASTERCLASS 10/Personality Walk Action 01 – "Double Bounce"
Warm-Up Drawing
Fear Emotions
Instruction
Suggested Assignment
11 MASTERCLASS 11/Personality Walk Action 02 – "Sneak"
Warm-Up Drawing
Extreme Emotions
Instruction
Suggested Assignment
12 MASTERCLASS 12/Personality Walk Action 03 – "Front Walk"
Warm-Up Drawing
Transitions
Instruction
Suggested Assignment
II: FURTHER CORE PRINCIPLES
OF MOVEMENT – RIGGED
DIGITAL TECHNIQUES
13 MASTERCLASS 13/Introduction to Moho
Warm-Up Drawing
Instruction
The Moho Overview
Preparing for the Bouncing Ball
Introduction to the "Generic Run"
Suggested Assignment
14 MASTERCLASS 14/The Full Rigged Character
Warm-Up Drawing
Instruction
Successive Breaking of Joints
Suggested Assignment
15 MASTERCLASS 15/Character Walk 1
Warm-Up Drawing
Instruction
Suggested Assignment
16 MASTERCLASS 16/Character Walk 2
Warm-Up Drawing
Instruction
Suggested Assignment
17 MASTERCLASS 17/"Arnie" Generic Walk
Warm-Up Drawing
Instruction
Animating the Hips
Suggested Assignment
18 MASTERCLASS 18/Generic Walk Variations
Warm-Up Drawing
Instruction
Suggested Assignment
19 MASTERCLASS 19/New Year Greeting
Warm-Up Drawing
Instruction
To Animate the Black.jpg Layer Going Down
Suggested Assignment
20 MASTERCLASS 20/Double Jump
Warm-Up Drawing
Instruction
Instructions
Blocking Out
Inbetweening
Suggested Assignment
21 MASTERCLASS 21/Slow Sneak Animation
Warm-Up Drawing
Instruction
Suggested Assignment
22 MASTERCLASS 22/Throwing Action
Warm-Up Drawing
Instruction
Suggested Assignment
23 MASTERCLASS 23/Digital Coloring
Warm-Up Drawing
Instruction
Suggested Assignment
24 MASTERCLASS 24/Working with Color
Warm-Up Drawing
Instruction
Suggested Assignment
III: PERSONAL PROJECT –
PRE-PRODUCTION
25 MASTERCLASS 25/Storytelling
Warm-Up Drawing
Instruction
Suggested Assignment
26 MASTERCLASS 26/Concept Art
Warm-Up Drawing
Instruction
Suggested Assignment
27 MASTERCLASS 27/Character Design
Warm-Up Drawing
Instruction
Suggested Assignment
28 MASTERCLASS 28/Storyboarding & Film Language
Warm-Up Drawing
Instruction
Film Staging
Film Language
Suggested Assignment
29 MASTERCLASS 29/More on Storyboarding & Film Language
Warm-Up Drawing
Instruction
Transitions
Camera Moves
Shot Selection
Continuity
Suggested Assignment
30 MASTERCLASS 30/Audio Record and Breakdown
Warm-Up Drawing
Instruction
Audio Breakdown
Body Language
Key Pose Animatic
Final Key Poses
Facial Expressions.
Animating the Face
Lip Sync
Two-Character Dialogue
Music Tracks
Sound Breakdown
Sound Effects and Foley Recording
Suggested Assignment
31 MASTERCLASS 31/Storyboard Animatic
Warm-Up Drawing
Instruction
Suggested Assignment
32 MASTERCLASS 32/Character Rigging 1
Warm-Up Drawing
Instruction
Suggested Assignment
33 MASTERCLASS 33/Character Rigging 2
Warm-Up Drawing
Instruction
Suggested Assignment
34 MASTERCLASS 34/Layout 1
Warm-Up Drawing
Instruction
Perspective
Suggested Assignment
35 MASTERCLASS 35/Anatomy of a Sequence
Warm-Up Drawing
Instruction
Suggested Assignment
36 MASTERCLASS 36/Final Pose Test Animatic
Warm-Up Drawing
Instruction
Storyreels or Animatics?
Is the Timing Right?
Is the Staging Right?
Is the Continuity Right?
Is the Scaling Right?
Suggested Assignment
IV: PERSONAL PROJECT –
PRODUCTION
37 MASTERCLASS 37/Key Pose Animation 1
Warm-Up Drawing
Instruction
References
Stages of Animation
Suggested Assignment
38 MASTERCLASS 38/Key Pose Animation 2
Warm-Up Drawing
Instruction
Suggested Assignment
39 MASTERCLASS 39/Breakdown Position 1
Warm-Up Drawing
Instruction
Traditional Animation Blocking Out Process
Moho Blocking Out Process
Suggested Assignment
40 MASTERCLASS 40/Breakdown Position 2
Warm-Up Drawing:
Instruction
Twelve Principles of Animation
Squash & Stretch
Anticipation
Staging
Straight Ahead Action and Pose to Pose
Follow-Through/Overlapping Action
Slow-In and Slow Out
Arc
Secondary Action
Timing
Exaggeration.
Solid Drawing
Appeal
New Thoughts on the 12 Principles
Balance
Weight
Superimposition
Suggested Assignment
41 MASTERCLASS 41/Inbetweening 1
Warm-Up Drawing
Instruction
Suggested Assignment
42 MASTERCLASS 42/Inbetweening 2
Warm-Up Drawing
Instruction
Suggested Assignment
43 MASTERCLASS 43/Cleanup 1
Warm-Up Drawing
Instruction
Suggested Assignment
44 MASTERCLASS 44/Cleanup 2
Warm-Up Drawing
Instruction
Suggested Assignment
45 MASTERCLASS 45/Background Art
Warm-Up Drawing
Instruction
Light and Shade
Color Script
Light and Shadow
Depth Layering
Suggested Assignment
46 MASTERCLASS 46/Inking
Warm-Up Drawing
Instruction
Other Line Styles and Techniques
My Traditional, Hand-Drawn Inking Process
Suggested Assignment
47 MASTERCLASS 47/Coloring
Warm-Up Drawing
Instruction
Scanning
Suggested Assignment
48 MASTERCLASS 48/Post Production and Distribution
Warm-Up Drawing
Instruction
Distribution and Marketing
Suggested Assignment
V: NOT AN END – BUT A
BEGINNING!
Index