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The latest volume of Battle Conference proceedings emphasizes the European range and interdisciplinarity of the series. It opens with Anne Duggan's R. Allen Brown Memorial Lecture for 2010, on the effects of Pope Alexander III's so-called "marriage legislation" in England. Norman history is covered by chapters on the detailed account of Robert de Torigni's deeds as abbot of Mont Saint-Michel which he added to the monastic cartulary, and on religious life in Rouen in the late eleventh century, covering the rivalries but also the common outlook of the cathedral canons and the monks of St. Ouen. Close readings of the work of two of the Anglo-Norman historians of the earlier twelfth century provide many new insights into their working methods and views of the world, specifically Willam of Malmesbury's use of ambiguity and innuendo, and Orderic Vitalis's treatment of the nexus between power and the display of emotions. There are also two papers on art history, giving sophisticated readings of the architecture shown in the Bayeux Tapestry and the politically charged glazing scheme that Archbishop Anselm installed at Canterbury cathedral.
Author(s): Christopher P. Lewis (ed.)
Publisher: The Boydell Press
Year: 2011
Language: English
Pages: 212
City: Woodbridge
List of Illustrations and Tables vi
Editor’s Preface ix
Abbreviations xi
The Effect of Alexander III’s ‘Rules on the Formation of Marriage’ in Angevin England (R. Allen Brown Memorial Lecture) / Anne J. Duggan 1
Riots, Reform, and Rivalry: Religious Life in Rouen, c. 1073 – c. 1092 / Alison Alexander 23
Emotions and Power in Orderic Vitalis / Richard E. Barton 41
The ‘Annuary’ of Abbot Robert de Torigni (1155–1159) / Thomas N. Bisson 61
The Importance of Being Ambiguous: Innuendo and Legerdemain in William 7of Malmesbury’s 'Gesta regum' and 'Gesta pontificum Anglorum' / Paul Antony Hayward 75
St Anselm, Church Reform, and the Politics of Art / T. A. Heslop 103
The Domesday Boroughs Revisited / Julian Munby 127
Building Stories: The Representation of Architecture in the Bayeux Embroidery / Elizabeth Carson Pastan 150