The plays and prose works of the German writer, director, and political activist Peter Weiss (1916-1982) were immensely influential in the shaping of European Modernism in the second half of the twentieth century. Combining exploratory aesthetic openness with an uncompromising ethical drive, Weiss's literary works, especially the plays Marat/Sade (1964), The Investigation (1968), and Holderlin (1971), as well as the novel The Aesthetics of Resistance (1975-81) continue to provide vital points of reference for any discussion of culture and politics in our times. Berwald's study serves as a comprehensive introduction to Weiss's work and vision. The introductory chapter outlines Weiss's life and work in exile. Three chapters provide detailed discussions of Weiss's theater work, from his early grotesque plays and the documentary dramas from the 1960s that address Auschwitz, Angola, and Vietnam, to his most complex plays in which intellectuals are staged as outsiders. The subsequent four chapters discuss Weiss's prose works, which include his autobiographical novels from the early 1960s, essays and notebooks on art and politics, and his summum opus, The Aesthetics of Resistance.
Author(s): Olaf Berwald
Year: 2003
Language: English
Pages: 178
CONTENTS
......Page 6
ACKNOWLEDEMENTS
......Page 8
INTRODUCTION
......Page 10
1: Subversive Slapstick: The Early Plays
Der Turm, Die Versicherung, Nacht mit
Gästen, and Mockinpot......Page 20
2: The Choreography of Documents:
Die Ermittlung, Gesang vom Lusitanischen
Popanz, and Viet Nam Diskurs......Page 31
3: Staging Writers as Outcasts:
Marat/Sade, Trotzki im Exil, Hölderlin,
Der Prozess, and Der neue Prozess......Page 42
4: Scenarios of Stagnation: Early Prose......Page 78
5: Autobiography and Fiction: Abschied von den
Eltern, Fluchtpunkt, and Rekonvaleszenz......Page 91
6: Poetics and Politics: Essays, Open Letters,
and Fragments......Page 108
7: Perception as Resistance: Die Ästhetik des
Widerstands......Page 116
WORKS CONSULTED
......Page 140
INDEX
......Page 170
