Aaron Copland (1900-1990) is generally considered the most popular and well-known composer of American art music, and yet little scholarly attention has been paid to Copland since the 1950s. This volume begins with a portrait of the composer and an evaluation of significant research trends which is intended to fill a void and to suggest directions for further research. The guide also provides a section discussing Copland's interdisciplinary interests, such as ballet and film work, as well as a comprehensive bibliography of writings about Copland and his music.
Author(s): Marta Robertson
Edition: annotated edition
Year: 2001
Language: English
Pages: 256
Book Cover......Page 1
Half-Title......Page 2
Title......Page 3
Copyright......Page 4
Composer Resource Manuals......Page 5
Contents......Page 6
Preface......Page 8
I. A Guide to Studies on Aaron Copland......Page 13
Notes......Page 18
II. Chronology of Life and Works......Page 19
A. Books and Essay Collections......Page 48
1. Copland as Sole Author......Page 57
2. Copland and Coauthors......Page 146
C. Interviews......Page 147
A. Biographies and Comprehensive Studies......Page 164
B. Significant References to Copland’s Milieu......Page 166
C. Articles in Dictionaries, Encyclopedias, Work-Lists, and Catalogs......Page 171
D. Web Sites......Page 175
E. Videotapes......Page 177
1. Compositional Technique: Form, Harmony, and Melody......Page 178
3. Americana and Folk Sources......Page 182
1. Ballets......Page 183
2. Film Scores......Page 187
3. Orchestral Music......Page 189
4. Chamber Music......Page 192
5. Keyboard Music......Page 193
1. Operas......Page 197
3. Songs......Page 198
A. Copland as Americanist......Page 201
C. Copland as Critic/Commentator/Author......Page 203
D. Copland as Mentor/Teacher......Page 205
VII. Tributes and Obituaries......Page 206
VIII. Foreign Language Sources......Page 209
IX. Bibliographies and Discographies......Page 210
Author Index......Page 211
Title Index......Page 214
Subject Index......Page 216
About the Authors......Page 221
Composer Resource Manuals......Page 222