In the first book to examine the role played by textile manufacturing in the development of fashion in Italy, A New History of 'Made in Italy' investigates Italy's transition from a country of dressmakers, tailors and small-scale couturiers in the early post-Second World War period to a major producer of ready-to-wear fashion in the 1980s. It takes the reader from Italy's first internationally attended fashion show in 1951 to Time magazine's Giorgio Armani April 1982 cover story, which signalled the fashion designer's international arrival, and Milan's presence as the capital of ready-to-wear.
Chapters focus for the first time on the material substance of Italian fashion – textile – looking at questions including the importance of manufacturing quality, design innovation, composition, production techniques, commerce and the role of textile on the country's overall fashion system. Through these, Lucia Savi brings to light the importance of synthetic fibres, previously little-known players, such as the carnettisti (a type of textile wholesalers) as well as re-investigating well-known couturiers and designers such as Simonetta, Gianfranco Ferré and Gianni Versace.
By looking at how things are made, by whom, and where, this book seeks to unpack the 'Made in Italy' label through a focus on making. Informed by extensive archival materials retrieved from a wide range of sources, it brings together the often-separated disciplines of fashion, textile and design history.
Author(s): Lucia Savi
Publisher: Bloomsbury Visual Arts
Year: 2023
Language: English
Pages: 265
City: London
Cover
Halftitle page
Title page
Copyright page
Dedication
Contents
Illustrations
Acknowledgments
Glossary
Introduction
Locating Italian Fashion
Primary Research Sources
Research Parameters
Chapter Structure
1 Fibers and the Making of Italian Textiles in the Post-War Period
Introduction
Italy Between Tradition and Modernity
From Paris to the USA’s Influence
Fibers and Politics
Italian Fashion’s Materiality
Natural, Artificial, and Synthetic Fibers
SNIA Viscosa and Fibers Promotion
2 The American Export Market and its Influence on Italian Design
Introduction
Textiles Make Fashion: Italy at Work and Sala Bianca
Sala Bianca
Italy and the USA: Export and Domestic Market
Boutique Fashion as Proto Italian Ready-to-Wear
The Mechanisms of Copies: Italy and the USA Between “Made in Italy” and Export
3 The 1960s, a Decade of Metamorphosis in Italian Fashion
Introduction
Treaty of Rome and Export
The Camera Nazionale della Moda Italiana (CNMI) and the Promotion of High Fashion
New Ways of Production, with New Products and New Ways of Consumption
4 Fashion Meets Industry: The Role of Carnettisti in Domestic and International Markets
Carnettisti in Italy
The Assortitori Tessuti Novità (Sorters of New Textiles)
Nattier
Distribution of Textiles in the 1960s
Carnettisti in the CNMI: Toward a Codified Role and Crisis
5 Milan and the Stilisti
Introduction
The Rise of Milan
Distretti Industriali (Industrial Districts)
The Stilista, the Link Between Textile and Fashion Production
The Stilista and Industrial Production
Transition from Carnettista to Stilista
6 Designing for Mass Production
Designing Fashion
Fashion Working Drawings: Literature Review
Fashion Working Drawings Decoded
Gianfranco Ferré: A Case Study
Conclusion
Inside Fashion: The Role of Materials and Production
Notes
Bibliography
Index
Plates
