A New Companion to Herman Melville

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Discover a fascinating new set of perspectives on the life and work of Herman Melville

A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways.

Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated.

In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hem­ispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers:

  • A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work
  • Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel
  • Practical discussions of material books, print culture, and digital technologies as applied to Melville
  • In-depth examinations of Melville's treatment of the natural world
  • Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagement

A New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.

Author(s): Wyn Kelley, Christopher Ohge
Series: Blackwell Companions to Literature and Culture
Edition: 2
Publisher: Wiley-Blackwell
Year: 2022

Language: English
Pages: 593
City: Hoboken

A New Companion to Herman Melville
Contents
Contributors
Acknowledgments
Introduction
Part I Lives
1 Melville the Life: Accident, Coincidence, and Adjacency
2 Melville’s Twentieth-Century Revivals
3 Melville’s Twenty-First Century Lives: Reception and Criticism
Part II Works
4 Typee and Omoo
5 Melville’s Mardi: “A Certain Something Unmanageable”
6 Discipline and Pleasure in Redburn and White-Jacket
7 Moby-Dick
8 Spiritualism in Pierre; or, The Ambiguities
9 Refugee, Exile, Alien: Israel Potter’s Migrant Turns
10 In Other Worlds: Mystery and Method in The Piazza Tales
11 Art of the Scam: The Confidence-Man
12 Lyric Anonymity in Battle-Pieces
13 Re-writing the Holy Land Narrative Tradition: Clarel as Poetic Pilgrimage
14 “The Fair Poet’s Name”: Late Poems
15 Melville’s “Ragged Edges”: Billy Budd, Sailor and the Arts of Incompletion
Part III Texts, Print Culture, and Digital Technologies
16 “A Widow with Her Husband Alive!”: Gender, Collaboration, and Melville Studies
17 Melville’s Cervantes
18 Melville’s Shakespeare: Survivors and Stepmothers
19 Melville’s Milton: Of the Devil’s Party and Knows It
20 Genre, Race, and the Printed Book
21 Melville and Periodical Culture
22 Mediating Babo
23 Books and Marginalia, Real and Virtual
24 Counting (on) Melville: Moby-Dick, Computational Literary Studies,
and Dictionary-Based Readings
25 Digital Melville: Computation and Dead-Reckoning
Part IV Circuits and Systems
26 Transatlantic Crossings
27 Holy Dread: Taboo in Typee and “The Whiteness of the Whale”
28 Melville’s “Spanish”: Geopolitics and Language in a Continental Writer
29 The Pequod as Middle Passage: Melville’s Meditation on the “Long” Shipwreck
30 Melville’s Spectral Mutinies
31 Religion and Secularity
32 Ruthless, Radical Democracy
33 Melville and Masculinity
34 Melville and Philosophy: Will, Agency, and “Natural Justice”
35 Tawny Savages and Blank-Looking Girls: Melville, Capitalism,
and Racialized Labor
Part V The Natural World
36 Ocean
37 Verdure
38 Anatomy
39 A “Mute Wooing”: Animism in Pierre
Part VI Symposium I: Art and Adaptation
40 Art and Illustration
41 Anthologizing Moby-Dick; or, Classifying a Chaos
42 On Ekphrasis
43 Melville in Film Adaptation: The Lives and Deaths of Pip
Part VII Symposium II: Teaching, Learning, and Public Engagement
44 “Of Whales in Paint”: Melville in the High School Classroom
45 Diversity, Reading Publics, and the Community College
46 Teaching Melville Through the Lens of Popular Culture
47 Visualizing Melville: A Museum Exhibition Perspective
Index
EULA