Popular culture in Africa is the product of everyday life: the unofficial, the non-canonical. And it is the dynamism of this culture that makes Africa what it is. In this book, Karin Barber offers a journey through the history of music, theatre, fiction, song, dance, poetry, and film from the seventeenth century to the present day. From satires created by those living in West African coastal towns in the era of the slave trade to the poetry and fiction of townships and mine compounds in South Africa, and from today’s East African streets, where Swahili hip-hop artists gather, to the juggernaut of the Nollywood film industry, this book weaves together a wealth of sites and scenes of cultural production. In doing so, it provides an ideal text for students and researchers seeking to learn more about the diversity, specificity, and vibrancy of popular cultural forms in African history.
Karin Barber is Fellow of the British Academy and Emeritus Professor of African Cultural Anthropology at the University of Birmingham. She was appointed CBE in 2012 for services to African studies. She is the author of a number of books and articles on African popular culture, including The Generation of Plays: Yoruba Popular Life in Theatre (2000) and Print Culture and the First Yoruba Novel (2012).
Author(s): Karin Barber
Series: New approaches to African history
Publisher: Cambridge University Press
Year: 2018
Language: English
Pages: 211
City: Cambridge
A History of African Popular Culture
Contents
ACKNOWLEDGEMENTS
1 Introduction
2 Early Popular Culture: Sources and Silences
3 Mines, Migrant Labour and Township Culture
4 The City and the Road
5 The Crowd, the State ... and Songs
6 The Media: Globalisation and Deregulation from the 1990s Till Today
7 Conceptualising Change in African Popular Culture
BIBLIOGRAPHY
INDEX