The period since the First World War has been a century distinguished by the loss of any unitary foundation for truth, ethics, and the legitimate authority of law. With the emergence of radical pluralism, law has become the site of extraordinary creativity and, on occasion, a source of rights for those historically excluded from its protection. A Cultural History of Law in the Modern Age tells stories of human struggles in the face of state authority – including Aboriginal land claims, popular resistance to corporate power, and the inter-generational ramifications of genocidal state violence. The essays address how, and with what effects, different expressive modes (ceremonial dance, live street theater, the acoustics of radio, the affective range of film, to name a few) help to construct, memorialize, and disseminate political and legal meaning.
Drawing upon a wealth of visual, textual and sound sources, A Cultural History of Law in the Modern Age presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.
Author(s): Richard K. Sherwin, Danielle Celermajer (eds.)
Publisher: Bloomsbury Academic
Year: 2019
Cover
Contents
List of Figures
Notes on Contributors
Series Preface
Introduction
1 Justice: Klimt’s Jurisprudence—Sovereign Violence and the Rule of Law
2 Constitution: Performance Evidence in Aboriginal Land Claims
3 Codes: Judging the Rwandan Soundscape
4 Agreements: Truth, Politics, and the Value of Performing Impersonations
5 Arguments: Should Videos of Trees Have Standing? An Inquiry into the Legal Rites of Unnatural Objects at the ICTY
6 Property and Possession: On the Illegality of Situational Art
7 Wrongs: A Conversation with Filmmaker Joshua Oppenheimer
8 Legal Profession: Beaten Black and Blue—Lessons from Watching the Rodney King Case
Notes
Bibliography
Index