Oggu Katha PDF
III. OGGU KATHA - ITS CULTURAL MILIEU Theatre as seen in the previous chapter structured on its own grammar, is bound to survive on the inter relationship that exists between the
INDIAN FOLKLIFE SERIAL NO.29 JUNE 2008 17 Performers There is hardly any formal training for the puppeteers in their art form. Members of the troupe gain
IV. 1. Introduction Oggu Katha as mentioned in the previous chapter is a cultural text of the community, which performs it. It is a cultural text
OGGU KATHA. INDIAN FOLKLIFE SERIAL NO.29 JUNE 2008 18 G. KUMARASWAMY, Research Scholar, Department of Theatre Arts, S.N. School, University of Hyderabad (Chukka Sattiah is a living legend who has transformed this genre with many innovations.
Katha. Oggu performers usually narrate the stories of Mallanna and Beerappa and the Shakti ballads of Yellamma. These ballads contain lyrical prose and are recited with great oratorical and rhetorical nuance. The team consists of four to six members.
songs), povada (ballad of heroism), and oggu-katha (song with hourglass drum) and their forms are also studied and compared. The material is fascinating. In volume 1 the authors trace historical origins for each genre, describe socio-religious contexts, transliterate, trans-
adapted folk forms such as Oggu Katha Veedhi Bhagotham, (vernacular ballets using a combination of song, dialogue and dance) andYellamma Katha (the story of the local deity) to revolutionary themes depicting the travails of peasants, labourers and other weaker sections.
Oggu Katha- Accompanied Imitations and Expressions (ISBN: 978-93-81112-24-3) Sridevi Rs.120/- 2011 Street Plays of Kangundi Kuppam – A Technical Study (ISBN: 978-93-81112-25-0) Dr. Kusuma Harinath Rs.140/- 2011 ...
Oggu Katha (Folk .172. Dr. ChukkaSathaiah .Andhra Pradesh '.' Art) .,' 173. Smt. Margi.Sathi alias P. Sathi Devi . Art- Dance-.. Kerala. Kuttiyattam . Art-Classical Dance - 174. Smt, Kiran Segal . Delhi Oddisi ! 175.. Ms. Aparna Sen . Art - Cinema . West Bengal
27 Sri G.Venkata Swamy, Secretary, A.P. Oggu Katha Goravainla Tappata Gull Kalakarula Sangam, 1-7-130/5/A, Risalagadda, Jamisthanpur, Hyderabad 500 020 All Discoms 28 Sri O.Srinivas, Joint Secretary, A.P. Sheep and Goat
28 Sri G.Venkata Swamy, Secretary, A.P. Oggu Katha Goravainla Tappata Gull Kalakarula Sangam, 1-7-130/5/A, Risalagadda, Jamisthanpur, Hyderabad 500 020 All Discoms 29 Sri O.Srinivas, Joint Secretary, A.P. Sheep and Goat
7.30pm to 8.15pm: Oggu Katha by Chukka Sattaiah and group 8.20pm to 9.00pm: Jugalbandi by Duddu Seetha Ramaiah and Gummadi Janardhan, Lalitha Sangeetham by N.Vani Satheesh Kumar, Performance by Music and dance college team, Mimicry by Dr.Venu Madhav
8.30pm to 9.15pm: Oggu Katha performance by Chowdaripalli Rosaiah and group 9.30pm to 10.00pm: Dance performance on Orugallu by Rajesh Kanna Team 10.00pm to 10.30pm: Perini Andhra Natyam by Rani Rudrama Perini Kala kendram . Title:
Tappetagullu, Oggu Katha, Yellamma Jatra. Origin and meaning of Cultural Communication – Origin, need and models in Intercultural communication – Aristolean, Cybernetic, Biological, Psychological models – cultural ...