This book examines transmissibility to remind us why the vitality and epistemic significance of an artwork is anachronistic and futural.
Transmissibility: Writing Aesthetic History performs a transdisciplinary philosophy of aesthetic history via the work of Gilles Deleuze and Félix Guattari, Cy Twombly, Marina Abramović, Paul Celan, Cecil Taylor, Italo Calvino, Candida Höfer, and others by focusing on the□artistic and historiographic labor that differentiates artworks from other modes of creation.
Author(s): Jae Emerling
Publisher: Routledge
Year: 2023
Language: English
Pages: 165
City: London
Cover
Endorsement
Half Title
Title Page
Copyright Page
Table of Contents
Acknowledgments
Credit Lines
I Introduction: “Visions and Auditions”: To Survive Our “Plague Year”
Notes
II Twenty-First Series of Aesthetic History
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Notes
III Twenty-First Series of Aesthetic History: Hypomnemata
Notes
IV Sibyl of Cumae, Or Indiscernibility
V From Oceanic Chaos… A Luminous Wave: Transmissibility in the Aesthetic Thought of Deleuze and Guattari
Notes
VI Imperceptibility, Or The Ear of the Future
Notes
VII To Transmit and Receive Vibrations and Waves: Italo Calvino as Aesthetic History
Whom Do You Write For?
Art as Difficult Love
A Little Testament
Memories of a Wave Reader
Project for a Review
To Write at the Frontiers of Our Knowledge
Envois
Notes
VIII Impersonality, Or Bob Dylan as a Column of Air
Index
