The Sound of Architecture: Acoustic Atmospheres in Place

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How sound and its atmospheres transform architecture

Acoustic atmospheres can be fleeting, elusive, or short-lived. Sometimes they are constant, but more often they change from one moment to the next, forming distinct impressions each time we visit certain places. Stable or dynamic, acoustic atmospheres have a powerful effect on our spatial experience, sometimes even more so than architecture itself. This book explores the acoustic atmospheres of diverse architectural environments, in terms of scale, function, location, or historic period―providing an overview of how acoustic atmospheres are created, perceived, experienced, and visualized. Contributors explore how sound and its atmospheres transform architecture and space. Their essays demonstrate that sound is a tangible element in the design and staging of atmospheres and that it should become a central part of the spatial explorations of architects, designers, and urban planners.
The Sound of Architecture will be of interest to architectural historians, theorists, students, and practicing architects, who will discover how acoustic atmospheres can be created without complex and specialized engineering. It will also be of value to scholars working in the field of history of emotions, as it offers evocative descriptions of acoustic atmospheres from diverse cultures and time periods.

Contributors: Anna Ulrikke Andersen (University of Oxford), Timothy Carey (Independent Scholar), Ricardo L. Castro (McGill University), Joseph L. Clarke (University of Toronto), Carlotta Darò (ENSA Paris-Malaquais), Michael de Beer (Independent Scholar), James Deaville (Carleton University), Ross K. Elfline (Carleton College), Clemens Finkelstein (Princeton University), Federica Goffi (Carleton University), Klaske Havik (TU Delft), Paul Holmquist (Louisiana State University), Pamela Jordan (University of Amsterdam), Elisavet Kiourtsoglou (University of Thessaly), Alberto Pérez-Gómez (McGill University), Cécile Regnault (Lyon School of Architecture), Angeliki Sioli (TU Delft), Karen Van Lengen (University of Virginia), Michael Windover (Carleton University).

Author(s): Angeliki Sioli, Elisavet Kiourtsoglou
Publisher: Leuven University Press
Year: 2022

Language: English
Pages: 304
City: Leuven

Cover
Table of Contents
Acknowledgements
Angeliki Sioli and Elisavet Kiourtsoglou
Introduction
01. Atmospheres that Touch
Angeliki Sioli and Elisavet Kiourtsoglou
Section #01: Room Vibrations
02. Listening with Christian Norberg-Schulz: Sonic Experience and Music Theory in his Writings
Anna Ulrikke Andersen
03. Setting the Tone in Early 20th-century North American Living Rooms: The Parlor Piano
Michael Windover and James Deaville
04. Playing to the Room: The Recording Studio as Instrument
Timothy Carey
05. Vibe, c. 1969: The Technicity of Operative Ambience in Jimi Hendrix’s Electric Lady Studios
Clemens Finkelstein
06. Resonant Rooms as Tuning Forks: Architectural Implications of Sound Art
Ross K. Elfline
Section #02: Building Pitches
07. The Happiness of the World at its Birth: Acoustic Atmosphere in the ‘General Effect’ of Ledoux’s Theater of Besançon
Paul Holmquist
08. Acoustics at 1:10: Miniaturizing Atmosphere
Carlotta Darò
09. The Electronic Campanile at Ronchamp
Joseph L. Clarke
10. Chromesthesia and the Multiverse of Listening in Music and Architecture: Luigi Nono in Collaboration with Renzo Piano
Federica Goffi
11. Tools of Immersion: Drawing the Acoustic Atmosphere of the Philips Pavilion
Elisavet Kiourtsoglou
Section #03: City Tunes
12. The Instrumentarium of Kircher: Premises of a Universal Phonurgy
Cécile Regnault
13. Dissolving in the Air: Mrs. Dalloway’s Sonorous Modern London
Angeliki Sioli
14. Lacrimae Rerum and Tears of Memory: Sonic Encounters in the Public Realm
Karen Van Lengen
15. The Border between Sound and Silence: Sonic Preservation at the Berlin Wall
Pamela Jordan
16. Listen and Write! Addressing Urban Soundscapes in Architectural Education
Klaske Havik and Michael de Beer
Echoes
17. On Atmospheres and Other Difficulties: A Conversation with Alberto Pérez-Gómez
Angeliki Sioli
18. Places where Silence is Eloquent
Ricardo L. Castro
About the Editors
About the Authors
List of illustrations
Bibliography
Index
Color Plates