This dissertation is part of a PhD in the arts at the University College Ghent and the School of Arts KASK & Conservatory (2015–2021). The thoughts and ideas brought to- gether here are a reflection on the departure points, interesting difficulties, inspira- tions, discussions, thinking processes, research sources and theoretical frameworks that I encountered while making the following artistic works:
Mau Mau, History Makers (2015–ongoing) Exhibition installation, video works and book.
Double Reward (2021, in collaboration with Victoria Gonzalez-Figueras) Exhibition installation.
Red Ink (2017–2018)
Exhibition installation and book (self-published, edition of 850 copies).
Margins of Excess (2016–2018)
Exhibition installation, video works and book (self-published, edition of 1500 copies).
Controversy (2017, in collaboration with Sam Weerdmeester) Exhibition installation and catalog (Lyre Press, edition of 750 copies).
Trophy Camera v0.9 (2017, in collaboration with Dries Depoorter) Exhibition installation.
Two Kinds of Memory and Memory Itself (2015) Exhibition installation.
Author(s): Max Pinckers
Publisher: Universiteit Gent. Faculteit Letteren en Wijsbegeerte
Year: 2021
Language: English
Pages: 340
