Reflections of Dance along the Brahmaputra: Celebrating Dance in North East India

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This volume brings a critical lens to dance and culture within North East India. Through case studies, first-hand accounts, and interviews, it explores unique folk dances of Indigenous communities of North East India that reflect diverse journeys, lifestyles, and connections within their ethnic groups, marking almost every ritual and festival. Dance for people of North East India, as elsewhere, is also a way of declaring, establishing, celebrating, and asserting humans' relationship with nature. The book draws attention to the origins and special circumstances of dances from North East India. It discusses a range of important folk-dance forms alongside classical dance forms in North East India, with a focus on Sattriya dance. The chapters examine how these dance forms play an important role in the region’s socio-cultural, economic, and political life, intertwining religion and the arts through music, dance, and drama. Further, they also explore how folk dance cultures in North East India have never been relegated to the background, never considered secondary, aesthetically, or otherwise, but have become expressions of political and cultural identity. An evocative work, this volume will be of interest to students and researchers of pedagogy, choreography, community dance practice, theatre and performance studies, social and cultural studies, aesthetics, interdisciplinary arts, and more. It will be an invaluable resource for artists and practitioners working in dance schools and communities.

Author(s): Debarshi Prasad Nath, Ralph Buck, Barbara Snook
Series: Celebrating Dance in Asia and the Pacific
Publisher: Routledge
Year: 2023

Language: English
Pages: 290
City: London

Cover
Half Title
Series Page
Title Page
Copyright Page
Table of Contents
List of figures
List of contributors
Preface
Author’s note
Acknowledgements
Glossary
Introduction
Chapter 1 Glimpses of the dance world of North-East India
Chapter 2 Sattriya dance: A narrative of its journey through the ages
Chapter 3 Moving objects and thinking body: A dancer’s narrative
Chapter 4 Discovering Sannidhi/a confluence: A dance exchange between Assam and Aotearoa, New Zealand
Chapter 5 Kherai’s dance world: Promoting solidarity and tradition
Chapter 6 The dance and the dancers: Tradition and innovation within the indigenous performances of the ritual dance of the Hudum Deo
Chapter 7 Identity revivalism through folk dances amongst the tribal communities of Assam
Chapter 8 Bihu performance of the Morans of Assam
Chapter 9 Social media and the politics of dance
Chapter 10 Gender and dance: “Gazing” at the Doudini and the female Sattriya and Bihuwoti dancers
Chapter 11 Reflections on dance education workshops in Assam: Towards critical and creative thinking
Chapter 12 Echoing the rhythm: Voices of school dance teachers
Chapter 13 Dancers’ voices
Chapter 14 Dance through the performers’ lens
Chapter 15 Studio dance teachers’ journeys
Chapter 16 The performers of folk dances
Index