Jazz and Death: Reception, Rituals, and Representations

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Jazz and Death: Reception, Rituals, and Representations critically examines the myriad and complex interactions between jazz and death, from the New Orleans "jazz funeral" to jazz in heaven or hell, final recordings, jazz monuments, and the music’s own presumed death. It looks at how fans, critics, journalists, historians, writers, the media, and musicians have narrated, mythologized, and relayed those stories. What causes the fascination of the jazz world with its deaths? What does it say about how our culture views jazz and its practitioners? Is jazz somehow a fatal culture? The narratives surrounding jazz and death cast a light on how the music and its creators are perceived. Stories of jazz musicians typically bring up different tropes, ranging from the tragic, misunderstood genius to the notion that virtuosity somehow comes at a price. Many of these narratives tend to perpetuate the gendered and racialized stereotypes that have been part of jazz’s history. In the end, the ideas that encompass jazz and death help audiences find meaning in a complex musical practice and come to grips with the passing of their revered musical heroes -- and possibly with their own mortality.

Author(s): Walter van de Leur
Series: Transnational Studies in Jazz
Publisher: Routledge
Year: 2023

Language: English
Pages: 200
City: New Haven

Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Table of Contents
Series Foreword
Funding
Credits
Acknowledgments
Introduction
Chapter 1 When I Die, You Better Second Line: The New Orleans “Jazz Funeral”
Chapter 2 The Devil’s Music: Jazz in Hell
Chapter 3 Louis and the Angels: Jazz in Heaven
Chapter 4 Swan Songs: Final Concerts and Last Recordings
Chapter 5 The Long Fall: The Death of Chet Baker
Chapter 6 Nine Naked Muses: Memorializing Ellington
Chapter 7 Funky Odors: Is Jazz Itself Dead?
Index