Cistercian Architecture and Medieval Society

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In 'Cistercian Architecture and Medieval Society' Maximilian Sternberg offers an account of the social functions of the built environment in medieval monasticism. Few medieval monuments hold so privileged a place in the modern imagination as Cistercian abbeys, yet Sternberg suggests, it is precisely our own, peculiarly modern fascination with the idea of 'Cistercian aesthetics' that has hindered a full view of the complex social meanings of their architecture. This book draws attention instead to the practical and symbolic means by which architecture helped the Cistercians to negotiate the dense web of relations that, in actuality, bound them to other spheres of medieval society. It explores the permeability of monastic boundaries, and considers their effectiveness in reconciling a simultaneous need for interaction and distance between monastic communities and these other social spheres.

Author(s): Maximilian Sternberg
Series: Brill's Studies in Intellectual History, 221. Brill’s Studies on Art, Art History, and Intellectual History, 5
Publisher: Brill
Year: 2013

Language: English
Pages: 316
City: Leiden

List of Illustrations vii
Acknowledgements xiii
Abbreviations xv
A Note on Translations xvii
Introduction 1
PART I. ICONOLOGIES OF CISTERCIAN ARCHITECTURE
1. Medievalist Imaginaries 15
2. Between Romanesque and Gothic 49
PART II. HORIZONS OF REFORM
3. Monastic Reform and Societal Renewal 75
4. Vita Activa 94
PART III. PERMEABLE BOUNDARIES
5. The Paradigm of St. Gall 113
6. From Gatehouse to Choir Screen 131
7. The Inner Enclosure 181
PART IV. CISTERCIANS AND THE CITY
8. Toulouse 207
9. Paris 237
Conclusion 261
Appendix: Cistercian Male Houses in the Languedoc 267
Bibliography 269
Index 293